Every year I try to collect the three best movies that didn’t end up on any critics’ top ten lists. If you find one of these movies on a critic’s top ten list, please sue me.

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Fantastic Beasts and Where to Find Them: A lot of critics aren’t drawn to or moved by blockbusters, because big-budget studio movies don’t tend to exhibit a lot of nuance or originality, so that may explain Fantastic Beasts‘ absence on critics’ top ten lists. But even though Fantastic Beasts is a spinoff of the 8-movie, blockbuster Harry Potter series, Beasts managed to find both nuance and originality in a 1920s setting and a story that deals with being an outsider. The characters are made rich by winsome performances against a backdrop of truly magical visuals, which is hopefully a formula the filmmakers follow in the sequels.

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Microbe & Gasoline: This little-seen gem is the most normal movie Michel Gondry (Eternal Sunshine of the Spotless Mind, Be Kind Rewind) has ever made. It’s a semi-autobiographical coming-of-age story about two young friends who road trip across France in a house-car, which is a car that looks like a house- you know, to fool the cops. Semi-autobiographical coming-of-age stories can sometimes be unbearable, but Microbe & Gasoline has real insight into why we pick our friends when we’re kids and into the counterintuitive desire not to fit in.

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Under the Sun: Much more should be made of this documentary about North Korea, made up of footage from the propaganda film the filmmakers were hired to make and from what happened between takes when they left the cameras rolling. We see how the scenes meant to praise the country and its ruler are meticulously staged to the point that in one scene the children involved end up crying under the pressure. It’s a fascinating glimpse into the authoritarian nation, one we have to assume won’t happen again, though if the North Korean government was inept enough for this to happen once…

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