If we have to keep watching Judd Apatow movies, I pray he continues embracing a diversity of voices. Trainwreck wasn’t much more than that, but at least it wasn’t a schlubby, white, male comedian telling the same story Apatow has been telling since The 40-Year-Old Virgin- essentially a romantic comedy from the perspective of a child stuck in the body of a man. Some of those have been worthwhile (Virgin, Knocked Up) and others have been not (Funny People).
The Big Sick, from Pakistani-American comedian and Silicon Valley star Kumail Nanjiani, has more ground to cover than a man who can’t get his life together in time to hold on to the right girl (in this case, played by Zoe Kazan, who kind of runs away with the movie). Kumail is afraid his family will disown him if he commits to a white girl rather than one of the Pakistani girls his mother keeps trying to set him up with. Oh, and that white girl goes into a coma after a rare condition exacerbates an infection.
The movie is always more than its conceit. Meaning, it’s never just “that rom-com where the girl goes into a coma.” This is probably because the story is based on Nanjiani’s real-life relationship with his real-life wife and co-screenwriter, Emily V. Gordon. There are a lot of laughs, especially once Emily’s parents (played by Ray Romano and Holly Hunter, both pitch perfect) show up. But it’s the drama, not the comedy, that sticks with you. Like most romantic comedies, you’re never unsure of how it will end, especially since Kumail and Emily are still married. But unlike most romantic comedies, The Big Sick fills out its edges with who these characters really are. And, equally as rare, the movie uncovers some truths about the messy relationship between time, healing, and love.
TL;DR: Worthy of the upcoming sequel, The Big Sick 2: Bigger and Sicker (unconfirmed).